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So for that reason, as well as the near impossibility of reviewing a sequencer as sophisticated as DP without feeling like you're rewriting War And Peace, please do refer to my review of DP5 in the September 2006 issue of SOS alongside this one. Consequently, there's an awful lot in DP6 that is almost exactly the same as it was in DP5. Starting life way back in the mists of Mac history, DP's development has been one of gradual accumulation of features rather than frequent reinventions. Clearly the MOTU design team thought these were important issues too, because they've all been addressed in the new version 6. Back then, version 5 added a range of useful features intended to benefit users working in many different fields, but MOTU continued to resist any overhaul of the rather old–fashioned and quirky user interface, while there were still concerns about audio performance efficiency, and continuing grumbles about the native audio format and the lack of any easy way to 'comp' multiple takes. It's been a bit over two years since MOTU last made a major update to their flagship sequencing software, Digital Performer. The highlights of Digital Performer's latest incarnation include advanced comping tools, new plug–ins - and a revolutionary alternative to track and instrument freezing.
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